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frantic0/README.md

👋 Hi, I'm Francisco Bernardo, and I'm interested in the design of human-computer interaction, acoustics, computational audio and music systems.

  • I am a Research Associate in Digital Musical Instrument Design at the Augmented Instrument Lab, part of the Dyson School of Design Engineering at Imperial College London.

  • 🔭 Previously, I worked at the Multi-Sensory-Devices Lab at University College London, where I developed acoustic metamaterials and ultrasonic phased arrays for futuristic haptic interfaces, and computational design tools to optimise them.

  • At the Experimental Music Technologies Lab at University of Sussex, I developed Web-based livecoding environments for music and machine learning 🎶 🤖 such as Sema and the sema-engine.

  • My PhD in Computer Science from Goldsmiths, University of London, focused on interactive machine learning toolkit design for music technologists and audio developers.

  • Previously, I worked as a software architect and engineer in the industry, developing interactive digital signage and business intelligence solutions.

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  1. mimic-sussex/sema mimic-sussex/sema Public

    Sema – A Playground for Live Coding Music and Machine Learning

    Svelte 159 51

  2. micknoise/Maximilian micknoise/Maximilian Public

    C++ Audio and Music DSP Library

    C++ 1.6k 285

  3. sema-engine sema-engine Public

    A Signal Engine for a Live Code Language Ecosystem

    JavaScript 32 6

  4. piston-model piston-model Public

    A python implementation of the piston model for ultrasound following the "Theory of Focusing Radiators"

    Jupyter Notebook 1

  5. volumetric-acoustic-data-processor volumetric-acoustic-data-processor Public

    Python utility class for processing 3D free-field acoustic data

    Jupyter Notebook 1

  6. genam genam Public

    Generative Acoustic Metamaterial – Design and Optimisation Pipeline

    Jupyter Notebook 4